About This Live Project

The Church of the Nazarene on Victoria Street, Sheffield, is currently a disused, grade II listed building owned by the University. Despite the music department moving into the adjacent Jessop building and new, purpose-built SoundHouse, they are still lacking a space for performance. The vision is to adapt the empty church into a licensed performance space for music, which can become a home for music and a face for musicians to present their music to the city of Sheffield.

The music department engages in a diverse range of performing activities from classical chamber music, to opera and contemporary music theatre, including world music performance, electroacoustic music and mixed media. The proposed performance space will be central to the day to day functioning (rehearsing, performing, teaching) as well as knowledge transfer and community activities, of the music department. Ensemble in residence Ensemble 360 and world music performer in residence John Ball would perform there, along with a steady stream of internationally acclaimed visiting performers.

Tuesday 6 October 2009

St Paul’s Hall, Huddersfield

"St Paul's is a former church built in 1829 that now provides a venue for a range of concerts, including the world renowned Huddersfield Contemporary Music Festival. Converted from a church in 1980, this unusual concert hall seats 400 people and was designed by John Oates (an architect from neighbouring Halifax) and by local stonemason Joseph Kaye. St Paul's is conveniently located next to Huddersfield Ring Road on the University of Huddersfield Campus."

This renovated church is also the primary venue for the Huddersfield Music Society. According to the University of Huddersfield, the venue holds more than 70 concerts each year, including the yearly Huddersfield Contemporary Music Festival. By my reckoning I count at least 190 seats in the picture above, which gives us an impression of what certain seating capacities look like though you'll notice the university quotes a total capacity of 400.


Whilst there is little evidence of any new architectural interventions beyond its renovation, you can't help recognise that the spatial environment shares many of the same design constraints we are concerned with at the Church of the Nazarene e.g. Columns.

1 comment:

The Music said...

A useful precedent. No doubt the raked seating allows more seats than arranging them all on one level. I also imagine it maximises the experience for the audience no matter where you are seated.